Detail 01
32 mV/Pa sensitivity
High output for a miniature capsule. At distance you need less preamp gain, so you pull up less preamp hiss.

Independent shopping perspective
A miniature cardioid condenser built for distance miking. High output for its size, so it works where the mic has to be far from the source and out of view.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
High output for a miniature capsule. At distance you need less preamp gain, so you pull up less preamp hiss.
Detail 02
Picks up in front, rejects behind. The broadest useful pattern here for covering a wide ensemble.
Detail 03
The mic's own hiss stays below quiet room tone, which matters when the source is meters away.
Detail 04
Plenty for choirs and orchestras at distance, but leaves less room than the 140 dB hypercardioid on loud close sources.
Detail 05
The low rolloff trims rumble and air handling noise that a distant mic would otherwise pull in.
Detail 06
Small enough to disappear on a thin cable or boom, but it will not meet a standard XLR without an adapter.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
This listing is the standard cardioid version. The M1255 line is built in cardioid, supercardioid, hypercardioid and omni variants, so pattern is chosen at purchase.
It is designed for distance work. The 32 mV/Pa output and 21 dB self-noise let you place it well above or back from an ensemble without excessive gain.
Yes, with appropriate hardware. The mic body is miniature and terminates in mini-XLR, so it mounts on booms, hangers or clips rather than a standard mic clip.
Up to 130 dB SPL, which covers most live sources at distance. For very loud close placement, the higher 140 dB capsule has more headroom.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.